In 1990, after the huge success of his first recording as a soloist (C.P.E.Bach's Sonatas for Viola da Gamba), he was nominated as Professor of viola da gamba at his alma mater, the Schola Cantorum Basiliensis in Basel.

Since this appointment, he concentrates his teachimg activities in Basel, whilst his performing carrier takes him all over the world, playing with artists such as Emma Kirkby, Rolf Lislevand, Rinaldo Alessandrini, Mitzi Meyerson, Jose' Miguel Moreno and many others.

Since 1992 he directs Labyrinto, a group of four or five viola da gambas, which is dedicated to the huge "consort music" repertoire.

Paolo Pandolfo has recorded for radio and television stations world wide, and for record companies such as Astree, Emi, Philips, Erato, Harmonia Mundi, Tactus, Simphonia. Since 1997 all his recordings are by the spanish leading record company GLOSSA. He started his collaboration with them in 1997 recording the first world integrale of A.Forqueray's "Pieces de Viole", followed by "The Spirit of Gambo"(music by T.Hume with Labyrinto and Emma Kirkby). His first  unaccompained recital, A Solo, was pointed as one of the best releases of the year 1998 by Gramophone . He dedicated two releases to the M.Marais':  "Le Labyrinthe et autres histoires", dedicated to charachter music by the great french composer and “Le Grand Ballet”, focused on his gestures  and dance music. His  trancription  of J.S.Bach's  six Solo Suites, released in 2000, has been beyond its great success an important musical event.  All his recordings have received amazingly positive reviews as well as many  awards by the most important musical magazines (Gramophone, Le Monde de La Musique, Goldberg Scherzo, Diapason, etc.)

He is invited to perform an to give masterclasses all over the world. He has been described as the Yo Yo Ma of the viol. Paolo Pandolfo builds bridges between the past and the present, bringing spontaneous and immediate life in the perfomance of baroque and renaissance music using medias such as improvisation, transcriptions and composition of modern pieces, being conviced that the patrimony of ancient music can be a powerful inspiration for the future of the western musical tradition.