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Jakob David Rattinger ist als Solist regelmäßig auf den Konzertpodien Alter Musik - Festivals und Konzertreihen zu hören. Weiters tritt er als Continuist mit zahlreichen Ensembles und Orchestern auf.
Stefan Görgner was born in 1979 in Starnberg and started studying concert guitar under Harald
Lillmeyer at the Richard Strauss Conservatory in Munich.
After studying rock, jazz and Contemporary Music he finally found his way into the music of the Baroque era.
Lillmeyer at the Richard Strauss Conservatory in Munich.
After studying rock, jazz and Contemporary Music he finally found his way into the music of the Baroque era.
The Ensemble 18+ chamber orchestra was established in 2009 by Czech conductor and harpsichord player Vojtěch Spurný with the concept of applying the criteria of so-called historically informed performance to an ensemble of modern instruments. However, work with historic sources and knowledge of period performance techniques is simply a basis not the final goal.
IFebiarmonici have changed their name into Salzburg Barock.
With our new name we want to express our affection for our hometown and
her rich musical tradition. The revival of violinistic treasures and the perfor-
mance of sacral music in the liturgy of the christian churches are our concern.
The emphasis of our repertory compasses the time from H.I.F.Biber (1644-
1704) to W.A.Mozart (1756-1791).
With our new name we want to express our affection for our hometown and
her rich musical tradition. The revival of violinistic treasures and the perfor-
mance of sacral music in the liturgy of the christian churches are our concern.
The emphasis of our repertory compasses the time from H.I.F.Biber (1644-
1704) to W.A.Mozart (1756-1791).
LA VENEXIANA, fouded by Claudio Cavina, is today the most important madrigal group actually in activity. In styling to the anonymous renassaince comedy from it’s named , LA VENEXIANA aims to incorporate into its musical interpretation the theatrically, attention to language in all of its subtlety, and exultation of contrasts between refined and popular, sacred and profane, that characterize our culture today.
Marco Beasley and Guido Morini founded Accordone in 1984, motivated by a passionate interest in both a musicological approach to performance problems and in Italian vocal music ranging from the Renaissance to the early eighteenth century. Lo Tasso Napolitano in 1991 was the first project to bear a clear dramatic imprint: from that moment on, the concert as an event containing both music and drama became the stylistic trademark of the group.
Born in Sardinia, Paola Erdas was awarded her diploma in harpsichord at the Conservatory of Venice in 1991. From 1992 to 1996, thanks to a five-year scholarship, she studied under Kenneth Gilbert at the Mozarteum in Salzburg. Since 1996 she has been a member of the ensemble L'Apothéose, recording for the Stradivarius label.
My idea is that there is music in the air, music all around us; the world is full of it,
and you simply take as much as you require.
~Edward Elgar
and you simply take as much as you require.
~Edward Elgar